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	<title>Glenn Bair</title>
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		<title>Glenn Bair</title>
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		<pubDate>Fri, 05 Aug 2011 14:41:03 +0000</pubDate>
		<dc:creator>Glenn Bair</dc:creator>
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		<description><![CDATA[Over the past 25 years, Glenn Bair has produced a wide array of published photographs and artwork. Mr. Bair received credit in 1999 as a still photographer for the short film &#8220;Little Man&#8221; featuring Frankie Muniz of Malcolm in the &#8230; <a href="http://www.imagefile.com/glenn-bair-aetna-ct/?p=5">Continue reading <span class="meta-nav">&#8594;</span></a>]]></description>
			<content:encoded><![CDATA[<p>Over the past 25 years, Glenn Bair has produced a wide array of  published photographs and artwork. Mr. Bair received credit in 1999 as a still  photographer for the short film &#8220;Little Man&#8221; featuring Frankie  Muniz of Malcolm in the Middle. He was commissioned by Antone&#8217;s records  to photograph Doug Sahm&#8217;s 1997 album The Last Real Texas Blues Band. In  1998, Mr. Bair was also hired by music label BMG to create the cover and  CD tray artwork for the album Lo Mejor de la Diferenzia.</p>
<p>Glenn Bair  also served as contributing artist for Wired magazine from 1995 through 1997. Glenn&#8217;s photo montage work was celebrated in the May 1996 issue of Wired and featured a four page exclusive introduction highlighting Glenn&#8217;s images. His photography of solar electric and thermal water heating  installations has been published by Planergy and the United States  Department of Energy. He also designed a book of poetry titled Spinning  Jenny, published by Black Dress Press in 1994. In 1999 Glenn&#8217;s artwork was displayed on public bus and commuter train transit signs as part of the AIGA Poetry in Motion campaign.  Glenn Bair currently features  and offers for sale a sampling of his thousands of photographs on Imagekind, an online  community of professional artists and photographers.</p>
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